Read issue 2 of I Am A Brewer for free

READ I AM A BREWER ISSUE 2

Below is a digital version of the second issue of I Am A Brewer, from the makers of Original Gravity. It is full of advice from the best, inspirational reads and genuinely useful tips for all people who work in the beer industry. 

Welcome to the second print edition of I Am A Brewer

I Am A Brewer is a community that is rooted in the generous and sharing spirit of beer. It’s about friends in the industry imparting their learnings, sharing their experiences, inspiring each other, and all for free.

I Am A Brewer is for everyone who is linked with the beer industry, whether it’s managing social media accounts, working in packaging, sales or marketing, owning breweries or managing the late shift on the brewery floor.

It’s more than just a print publication however, we also have a weekly newsletter, the ‘7 essential things you need to know about brewing this week’ (sign up at iamabrewer.com) and a weekly podcast called the 10-Minute Masterclass, an inspirational and informative short burst from a world-class expert, whether that is lager making or barrel-ageing, taproom design or keg dispensing. Find it on iTunes and Spotify.

In this issue, we’re travelling around the world to discover what we can learn from abroad. We’ve dispatches from Canada and Japan, America and Belgium. We learn how British brewers are taking souring techniques and making a beer inspired in the countryside, we hear about the challenges, and great opportunities, for brewers selling into Canada and we learn how to manage social media without it managing you. But really, it’s all about one thing: people.

Daniel Neilson

 

 


Carl Heron at Crisp Malt

PODCAST: 10-Minute Masterclass on malting with Crisp's Carl Heron

PODCAST: 10-Minute Masterclass on malting with Crisp’s Carl Heron

Carl Heron is a brewmaster and Craft Brewing Sales Manager. Here he talks about malting process and how to harness it for your best ever beer.

Hello, and welcome to the 10-Minute Masterclass from I Am A Brewer. I’m Daniel Neilson and for this episode I headed to Crisp Malt in North Norfolk to talk to Carl Heron, Master Brewer and Craft Brewing Sales Manager about the malting process and the tips to make the very most of the malt for your beer.

This episode of the 10 Minute Masterclass is brought to you by Crisp Malt which has lived and breathed malting since 1870. They combine traditional and modern techniques to create an impressive range of malted and non-malted products, including several unique and exclusive barley malts.

Next week we’re live-ish, from the Craft Beer Conference in Denver!

 

 


How Adnams made Ghost Ship 0.5%, by Fergus Fitzgerald

How Adnams made Ghost Ship 0.5%, by Fergus Fitzgerald

In a wide-reaching interview, Adnams’ Head Brewer Fergus Fitzgerald talks us through the thinking of Ghost Ship Alcohol Free and how he gets it so good.

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Why did you and Adnams decide to make an alcohol free beer?
It probably started when we brewed a beer called Sole Star at 2.7% several years back, when the lower duty rate at 2.8% came in. Lots of other breweries did likewise. We were really happy with it and although most other breweries offerings disappeared Sole Star did pretty well for us and stuck around.

We felt Sole Star was a little bit in no mans land in terms of alcohol, i.e. not being ‘low alcohol’ so we dropped the abv to 0.9% a few years ago. The brewers at BrewDog were very helpful with advising on what they were doing with Nanny State, just using a really low O.G. wort, underpitching, low fermentation temperature, lots of complex malts with low fermentability and lots of dry hopping.

Again we got a beer that we were pretty happy with but couldn’t quite get it to a place where we’d mistake it for a standard beer. We then went back to looking at what we could do make a better alcohol-free beer, not just the flavour but also to give the drinker something they wanted to buy rather than something they put up with.

Part of that was being able to enjoy the same flavours as something you already liked to drink but just with lower alcohol. That led us to the realisation that a normal fermentation is critical if we wanted it to be the same as an existing beer and therefore we needed to remove the alcohol.

Does cask or keg make a difference to alcohol-free?
We aren’t doing cask, but I believe there is a Belgian brewery doing a 0.5% beer in cask. We are filling kegs which we don’t sterilise or pasteurise, so we need to be more careful with the shelf life and also be aware of throughput in a pub. You have to remember that at < 0.5% we aren’t really dealing with beer anymore, neither legally or practically, we’ve taken out one of the critical features of beer that makes it microbiologically safe. But from a drinker’s perspective, there seems to be a huge benefit if it’s on keg: you still get a pint and it is served in the same way as any other keg beer; I guess there is an element of the ritual of getting a pint poured being as important as what it is.

Which system have you used to eliminate the alcohol?
We went with reverse osmosis. We looked at vacuum distillation but decided early on that even at the lower temperature it would still be too high on something like Ghost Ship as we found that higher hopping levels are increasingly affected by heat. So having already decided that a normal fermentation was essential to being able to mimic the flavour in Ghost Ship we were left with reverse osmosis which is carried out at essentially zero Celsius. It was much gentler on the hop character and left the malt character intact.

Was there much investment in this system?
Circa £500k. The kit we went with is pretty expensive, but we felt it offered the best flavour and if the low and no alcohol is going to succeed it has to do it based on the quality, we don’t have the budget to market like the multinational brewers.

Why did you decide that Ghost Ship would be the beer you started with? And are there plans to launch any more?
As Ghost Ship was and is our best-selling beer we decided that was the beer we should do first, also there weren’t many pale ale style beers at 0.5% at the time. We will look at some others, but we need to increase capacity first as its running flat out on Ghost Ship 0.5% at the moment.

Did you feel a sense of innovation when brewing it? Did you enjoy the challenge?
We’ve changed the brewery so much in the last five years that it just felt like a continuation of the rebuilding of Adnams. Two years ago we couldn’t condition, filter or keg beer on site, we knew before we finished the cellar project that we wanted to add the dealcoholiser in as well.

Dan Gooderham, my lead brewer and the rest of the brewing team, really took to the challenge, running lots of trials and babysitting the process during its 24-hour cycles. We started with a standard Ghost Ship recipe and then as we went through the trials modified the recipe many times as well as changing the de-alcoholising process. We’re used to making a change in a recipe and seeing that change giving you sometimes unexpected results, adding the complexity of the reverse osmosis in as well makes that more challenging and to be honest we are still learning every time we make a change.

Do some beers or styles lend themselves to alcohol-free?
Weissbier seems pretty robust to most dealcoholising processes, lager can be ok if treated gently, and isn’t overly hopped.

What’s the one thing you wish you’d told yourself before you started on this project?
I took us longer than we thought to get as close as we wanted before launching, so I’d allow a bit more time. The main thing I wish I knew is how the review into low and no alcohol descriptors would turn out. We had hoped and expected that the UK would adopt the rule common in most of the rest of the world, including the rest of the EU, that <0.5% is alcohol-free, we didn’t.

So although beers produced from outside the UK can be called alcohol-free at <0.5%, beers made in the UK at <0.5% are either called de-alcoholised or low alcohol, to be called alcohol-free it needs to be less than 0.05%, which we could make but it would use a lot more water and reduce the quality of the beer for no discernible benefit.

I wish I didn’t feel I needed to understand the EU rules of mutual recognition or how much alcohol is in a banana milkshake, or the fact that some burger buns wouldn’t even classify as low alcohol in the UK let alone alcohol-free, but on the plus side I can now bore myself to sleep.


PODCAST: 10-Minute Masterclass on mixed ferm with Armand Debleder

PODCAST: 10-Minute Masterclass on mixed ferm with Armand Debleder

Blending, mixed fermentation and how you can make the most of your coolship with Armand Debleder. Interview by Stephen Beaumont. Illustration by Del Thorpe

Hello, and welcome to the 10-Minute Masterclass from I Am A Brewer. I’m Daniel Neilson and in this episode Canadian writer Stephen Beaumont is in conversation with the masterful brewer and blender, Armand Debelder of Belgium’s Drie-Fonteinen. He’s been making and drinking lambic since 1953. he talks about his Flemish origins, the amazing revival of spontaneous fermentation and the the most important thing for setting up a coolship.    

This episode of the 10 Minute Masterclass is brought to you by Crisp Malt which has lived and breathed malting since 1870. They combine traditional and modern techniques to create an impressive range of malted and non-malted products, including several unique and exclusive barley malts.

Next week I speak to Carl Heron, a brewmaster and brewing sales manager of Crisp Malt.

 

 


PODCAST: 10-Minute Masterclass on mastering lagers with Luc Lafontaine

Podcast 10-Minute Masterclass: Mastering lagers with Luc Lafontaine

Brewing perfect lagers with Luc Bim Lafontaine of Canada’s Godspeed Brewery

Hello, and welcome to the 10-Minute Masterclass from I Am A Brewer. I’m Daniel Neilson and in this episode, we cross the Atlantic and talk to Luc Bim Lafontaine whose Godspeed Brewery is producing some of Canada’s best beer. You may recognise Luc’s name from his time at the Quebec brewery Dieu du Ciel. You see Luc’s German beers such as Otsukaresama Dortmunder and Ibushi Smoked Pilsner are among the best we’ve ever tried. The Japanese names are a nod to his influences and wife. Here, he talks to me about how to get the cleanest lagers you can.

This episode of the 10 Minute Masterclass is brought to you by Crisp Malt which has lived and breathed malting since 1870. They combine traditional and modern techniques to create an impressive range of malted and non-malted products, including several unique and exclusive barley malts.

Next week we have Canadian writer Stephen Beaumont talking to Dri-Fontaine’s Armand Debelder about blending.

 


The future of beer

The Future of Beer

Beer writer Adrian Tierney-Jones jumps into his DeLorean and looks how brewing could change over the next decade.

The problem with prediction is that if you get it right everyone is like ‘you are brilliant’. On the other hand if you are as lacking in prescience as the man who turned down the Beatles thinking that they wouldn’t go anywhere, then you are, well, the man who turned down the Beatles.

Back in the 1960s, when futurologists assumed that we’d all have our own jet cars by now, those looking ahead in the brewing industry had some interesting thoughts. Automatic beer dispensing machines were tried as pubs entered the theme-bar age, while on the beer-tasting front, brewery conditioned beer was king and there were plans for fruit-flavoured beers (probably owing more to sweet shops than the relatively unknown beers of the Senne Valley). I haven’t seen any dispensing machine yet, though I did have a peach APA the other day.

Back to the past
Let’s move forward to 2005, when Thornbridge began brewing. One of its first beers was Craven Silk, a session bitter flavoured with elderflower. I was underwhelmed on a visit and didn’t predict Jaipur, Punk IPA and all the other beers that have since swept the bar-tops of the
UK since.

On the other hand, surveying the current state of the brewing industry, it’s a fair certainty that some of the beer styles brewers are knee and elbow deep in will continue to evolve. Whether you want to call it experimentation or indulgence, there’s a sense that anything can be added to a beer nowadays, whether it’s for a pastry stout (lactose, oats, dextrose, extracts), Brut IPA (the amyloglucosidase enzyme) or Fruit IPA (Black Iris’ Gimme Fruit Gimme Fire, Give Me That Which I Papaya has the latter fruit as well as blueberries).

Keep trying ‘Adjuncts like a rice or maize, long dismissed as cost reduction techniques by the big breweries are being embraced in brewing craft light lagers,’ remarks Adnams’ head brewer Fergus Fitzgerald, ‘while enzymes and hop extracts are finding a home in the upper echelons of the craft brewers. Every fruit or vegetable known to man and woman has been added to beer, though the addition of nuts is still very rare.’

There is a sense when talking with both brewers and licensees, that younger drinkers are reluctant to stick with one beer; there is a constant search for something new, which affects the way some breweries plan their future. Hence all the experiments.

‘Experimentation in beer and style will continue,’ says Fitzgerald, ‘perhaps trying out the as yet unexplored treasure trove of the periodic table, some mashups with Noble hops and Noble gases must surely be a marketers’ dream.

‘However, some consumers will tire of the constant churn and I think there will be a return to drinkers having a preference and mostly sticking to it. Those won’t necessarily be solely the classics of old, some will be but many will be the new classics.’

Lager than life
One intriguing aspect of this experimentation/indulgence is worth considering. You’re a major brewery with a largish estate of pubs, with your best-selling beer a well-loved session beer; you have also experimented with various IPAs, Belgian styles and lagers. The question has to be asked, how far do you go in this eclecticism? Craft beer fans can be discriminatory in their spending choices, so for them, a Pastry Mocha NEIPA (ok I made that up) brewed by a cool brewery will appeal more than one made by a company whose beers their grandad used to drink. So breweries of this ilk should tread wearily before doing the brewing equivalent of dad dancing.

Elsewhere on the predictive front, new English hops will have a similar character to American ones, especially attractive to breweries keen on sustainability and carbon footprints. Let’s not forget malt either. One of the most impressive English style IPAs around is Cheshire Brewhouse’s Govinda, which has two expressions, both made with classic heritage malts. Then there is lager — I recall reading a report of the 1888 Brewers’ Congress in London on the ‘future of beer’, where a retort from an audience member at a forum was quoted as being ‘lager is the future’.

And it remains so, especially if brewers master the various beers that make up the
family of lager.

And finally, given that Adnams’ No Alcohol Ghost Ship (see overleaf) is one of the most impressive of this genre, it is no surprise that Fitzgerald expects no and low to grow. ‘This is less a gut feel and more hard facts, it’s growing well now and has a long way to go to match more established markets like Spain and Germany.

‘I hope for rather than expect a resurgence in cask,’ he adds. ‘I think that maybe a longer term forecast as there are a few structural issues to deal with first.’


How you should be choosing your malt

How you should be choosing your malt

The Brewers Association has said that craft malt should be ‘distinctive and flavourful’. Crisp Malt Sales Manager Colin Johnston explains how brewers should use all their senses to pick malts

The Brewers Association has said that craft malt should be ‘distinctive and flavourful’. Crisp Malt Sales Manager Colin Johnston explains how brewers should use all their senses to pick malts.

You get to chat to a lot of brewers when your background is brewing, your passion is beer – and you work for a malt company. You get to meet the people whose beers you’ve been savouring and admiring ever since you were (almost) old enough to drink. And you get to offer advice to those bravely starting up breweries having never monitored a mash in their lives.

Sometimes, your encounters leave a lasting impression. It was like that with Brooklyn Brewmaster, Garrett Oliver. His words at a tasting I was at chimed perfectly with my belief. He said outstanding craft beers are made by people who have a singular vision about the end product; a passion for flavour; and a commitment to ingredients they are fiercely proud of using.

What should ‘craft malt’ be?
A recent article published by the technical committee of the Brewers’ Association in the USA outlined the ideal ‘craft malt’. It specified:

• low free amino nitrogen (around 150) for optimal fermentation
• lower total protein/ nitrogen (less than 1.65%) to promote stability and clarity
• lower diastatic power (around 60) to allow for ideal mashing conditions
• lower Kolbach index or soluble nitrogen ratio as we know it (35-42).

In the UK, we’re blessed with some of the finest barley-growing land in the world. North Norfolk in particular reigns supreme, with its textbook terroir – a combination of light soil structure, sunny maritime weather and gentle sea breezes. The region’s malt meets all the BA craft malt specifications. All the measures are available in your certificate of analysis.

It’s no coincidence that Crisp has been malting in North Norfolk since 1884. The region’s terroir is perfect for growing malting barley. It is here where most of the country’s Maris Otter is grown, and where Chevallier Heritage Malt has been so successfully revived.

But what of the BA’s other requirement; that craft malt should be distinctive and flavourful? How is this assured by maltsters – and how do brewers make their own assessments?

Use all your senses
Well at Crisp we’re long-time advocates of organoleptic activity – that is, using the senses. Maltsters look at, touch, break, smell and taste grain samples from beginning to the end of the malting process. Brewers can apply and develop their beer sensory capabilities to cover malt examination and tasting.

Tasty treats
Delegates at the Craft Brewers Conference in the US chew their way through countless handfuls of Maris Otter, Chevallier Heritage malt, Caramalt – and a panoply of malted and unmalted cereals. The crunch test allows them to work out taste characteristics and is a good way of telling if the malt is fresh, well modified (friable) and free from any obvious off-flavours. Over time you can develop your skills to be able to identify trueness-to-type as well as subtle differences between similar-looking malts.

A careful visual inspection tells you whether whole malt is consistently sized, kernels unbroken and husks intact. You can check whether it’s free from dust, stones and stalks and get an idea of whether it’s been treated well in malting, packaging and transportation.

Steep of faith
But to truly gauge the flavour contribution to the beer, we advocate following the ‘hot steep method’ that we use to assess all our malts for flavour consistency. It was developed by Briess and the American Society of Brewing Chemists and can be found online. It involves grinding a small malt sample and combining with 65-degree hot water for 15 minutes for the malt to saccharify and the flavour compounds to be released. By filtering this mash, the wort can be tasted and an assessment made. You can also do mini mashes of your malt mill with different contributions of speciality malt to understand how they combine and affect each other.

Discover malt
For years brewers have been stuffing their heads into bags of hops and waxing lyrical about the aromas and qualities of their consignments. Gradually, I’m witnessing more brewers interrogating their malt intake with similar levels of care.

Commoditisation of malt and bland beers go hand in hand. Equally, utter respect for, and an insatiable curiosity about, all ingredients are the pathway to outstanding, flavoursome beers. It’s not a question of a one-off decision. As with hops, every batch of malt that crosses the threshold of your brewery doors should be a source of anticipation, interest and excitement.

Not all barleys are created equal, and neither are all malts. Get touching, smelling, breaking, tasting – and steeping – to better understand your core ingredient and explore the wonderful world of malt flavour. It is far wider than most people imagine.


PODCAST Ep 1: 10-Minute Masterclass with Derek Prentice

Podcast Ep1: 10-Minute Masterclass with Derek Prentice

The 10-Minute Masterclass is a weekly blast of information and inspiration by someone at the top of their game in their field. This week Adrian Tierney-Jones speaks to cask master Derek Prentice 

Hello, and welcome to the first ever 10-Minute Masterclass from I Am A Brewer. To kick us off, we have beer writer Adrian Tierney-Jones has a chat over a pint with Derek Prentice, a master of cask beers who has had a long history with breweries including Trumans, and now at Wimbledon Brewery making some of best cask beers in Britain. Here he explains why cask was always his first love, the problems it can have and how to get the best practice in cask brewing.

This episode of the 10-Minute Masterclass is brought to you by Crisp Malt which has lived and breathed malting since 1870. They combine traditional and modern techniques to create an impressive range of malted and non-malted products, including several unique and exclusive barley malts.

 


Read issue 1 of I Am A Brewer for free

READ I AM A BREWER ISSUE 1

Below is a digital version of the first issue of I Am A Brewer, from the makers of Original Gravity, is a print magazine, podcast, weekly newsletter and website. 

What is I Am A Brewer?

It is a celebration of brewing. The art, the skill, the technique and the business of brewing.

There are three key elements. Firstly, it’s a print magazine posted out to as many breweries as we can muster in the UK and Ontario six times a year. Secondly, it’s a weekly podcast called the 10-Minute Masterclass. It’s also a weekly newsletter snappily titled 7 Things You Need To Know About Brewing This Week. Events are being planned too.

The idea is that the words you read and hear are from those best placed in the industry worldwide, whether that is brewing lagers, using Citra, rocking social media or designing eye-catching packaging. That’s why we’ve articles from Cloudwater’s Paul Jones and beer writer Adrian Tierney-Jones. It’s why we’ve interviewed Fergus Fitzgerald and Derek Prentice. We have articles about what we can learn from Irish market and why owning a brewery means a responsibility far beyond the beer.

I Am A Brewer, from the publishers of Original Gravity, is founded on the generosity of knowledge and the kindness of people in the industry. We’re all in the business of helping people drink the best beer they can. It’s about better beer for everyone and, you know what? today, anything is possible.

Daniel Neilson

 

 


Introducing I AM A BREWER

INTRODUCING I AM A BREWER

A new free print magazine is for everyone working in the beer industry is to launch in January. I AM A BREWER, from the makers of Original Gravity, is a print magazine, podcast, weekly newsletter and website. 

I AM A BREWER has one cause: To enable breweries to make their best ever beer and succeed in business.

We believe that sharing knowledge and inspiring is the way to do this.

We believe that today, anything is possible.

—-

I AM A BREWER has five media properties:
1. Bi-monthly print magazine
2. Website updated daily
3. Weekly newsletter
4. Podcast
5. Events

Through these properties, we will share knowledge from the best people in the industry. By brewers for brewers. We will present new ideas, and examine the industry, and bring the best of beer to our community.

PRINT MAGAZINE

Because nothing beats print.

The core of I AM A BREWER is a beautifully-produced print magazine.

It disrupts the idea of a B2B magazine, taking an approach that is easy to read, elegantly designed and well written.

It is freely posted to 2,000 breweries around Britain, as well as in Canada.

It comes out six times a year.

It is written by people who are world-class in their field. By the people who excel in ingredients and systems, brewing and lab, marketing and design, packaging and cellaring, selling beer and grocery, owning, buying and managing.

Sections:
INGREDIENTS
BREWING
MARKETING
PACKAGING
SELLING
OWNING

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PODCAST

10-minute masterclass.

The I AM A BREWER Radio is an easily-digestible 10-minute masterclass from people at the top of their game.

It could be world-class brewers talking about lagers or barrel-ageing, marketing experts talking about social media, or taproom managers chatting about creating the perfect environment… all in around 10 minutes.

You’ll be able to find them on our website, iTunes and Spotify.

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NEWSLETTER

Weekly inspiration.

7 essential things you need to know about brewing this week.

I AM A BREWER’s weekly newsletter is a Monday morning dose of news, views and inspiration.

It will be emailed to more than 1,500
breweries each week.

It will feature the best of our online articles, as well as the most interesting and important articles we scour from the web.

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EVENTS

Inspiration, knowledge, fun.

I AM A BREWER Events will be like no other. It will bring the best people in the industry together for a day of inspirational talks, workshops with world-class experts and a bit of a knees-up to end on.    

The focus is on practical advice you can take back to the brewery and implement right away. From making balanced sours to managing social media, making the most from your malts to managing brewery finances, we’ll cover it all. Plus there’ll be a very special guest from outside the industry.

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WEBSITE

Daily news, views and idle gossip.

I AM A BREWER’s website only brings the most intriguing and important news on planet beer.

Reflecting the same sections as the magazine, we’ll cover every aspect for every job in the brewery. All beautifully presented with great photos and illustrations, and always well-written. No fluff here.

Sections:
INGREDIENTS
BREWING
MARKETING
PACKAGING
SELLING
OWNING


CONTACT:

Editorial: daniel@originalgravitymag.com

Sales: martha@originalgravitymag.com